#20 comes from the Netherlands via Glenn Hakkers, who adds, I put some more contrast in it, pitched the colors up a little bit and darkend the curbs with the white line that runs along, because they were to bright after the contrast adjustment. Next to that I cropped it to a panorama view.

Kate Gunning of SuperMoto Australia sent in #21, admitting to the normal buggering around plus a bit of rotation and lightening Sykes visor to see the tear offs.

#22 is from Jared Earle, whose processing included straighten, crop for composition, VSCO film process:

#23 is from Kurt Friedrich, who goes in a new direction altogether:

We’ll conclude Raw Challenge #6 with my version as promised, edited before I saw any of the reader versions. Thanks to everyone who participated, and I hope we’ll see your contributions the next time.